1am

20120518-021844.jpg

I knew by 1 am that my night would be spent with insomnia. She’s the sort of visitor you typically dread spending time with, but when she does show up, it’s not as bad as you’ve imagined. I’ve started seeing the beautiful parts of it I suppose. I’m trying to embrace it and make it a quiet space to think and explore our dark land. I’m currently on a quilt in the yard with candles, listening to these carefree creatures sing with wild abandon. No one needs me now. I can get lost in the peace, feeling the air around me absorbing into my skin, the coolness of it in my nose when I inhale. The occasional crack of a stick doesn’t startle me or send my mind on a thought train of fearful what ifs. Instead it deepens my peaceful curiosity about the life that sees the stars & moon as their beautiful sun. The lack of human noises and busy energy is refreshing. It’s lovely to see this vast beauty without the colors & textures the sunlight reveals. This night is silhouettes, songs, cool air and tiny gentle lights from above. I see my inability to sleep as a gift tonight. It is a situation I don’t fight anymore. I’m grateful for these sporadic nights to set my senses free to fall deeper in love with earth. I’m grateful for knowing the ones I love are safe & warm & exploring magical things as they sleep. Night is still. Night is a peace filled secret world that few experience. Night embraces you as an honored visitor & subtly asks if you want to explore with her. She knows her treasures will quell your fears & coax the curious child out of you. Night deserves to be enjoyed. I’m going to explore.

Pin It


Lauren Waye Q&A

This is Lauren.  She has THE most amazing smile.  She was raised by kangaroos made of Vegemite in the Land of Down Under.  She has a full, beautiful life, surrounded by gorgeous beaches, tan & foxy Australian men who surf and get their mail butt naked.  She didn’t tell me that.  But as an American, I know that Australian men are strong and not shy and cuss and don’t’ have time for anything that isn’t brave.  I think I learned that in 11th grade…. or from Hugh Jackman movies…. or The Man from Snowy River….. Australian women, celebrate your foxy men!!  I’m off track.  Sorry.

Lauren shared an exhibition with Kirsty Askintew (whom I featured here a few months ago), called 4.  I’m pleased that Lauren played the Q & A game and shared some personal work with us.

- Tell me about the moment/realization that photography was a profession you wanted to explore.

Hmm, not sure there is a short answer…. basically I ended up studying photography because I didn’t get into the course I wanted. I thought I would change over after a year, but by that time I was hooked- before then I never thought/knew photography could be a career choice.

- What camera did you learn with?

Canon TX with a 50mm lens

- What did you do/plan to do before deciding on photography?

Graphic design

- Is there a post processing trend that you thought looked phenom, but now makes you cringe?

I did go through the spot colour stage, which I now hate. I think all evidence has been deleted…

- A session or series you’ve felt most proud of?

Probably some of the individual portrait sessions I’ve done in the last year- the feedback makes me feel I’ve helped empower those women and increase their self esteem.

- If there were no limitations, what would you pursue photographically? What do you

dream of shooting before you die?

Travelling and shooting whatever I feel. Before I die I’d like to shoot stills for a movie. And Anthony Kiedis;)

- 10 years from now- where would you like to be? Doing what?

Travelling. Raising children. Taking better photos.

- Your favorite lens/camera combo.

Always changing. Right now I love my new Zeiss 35mm 1.4, which goes on both the film and digi cameras.  And my Mamiya RB67 Pro S, with the polaroid back.

- Camera/lens combo you’d like to have or play with.

Hasselblad, any lens

- Any preferences between film/digital? Favorite film stocks?

I love both for different reasons. I used to adore shooting Fuji Provia for its super awesome colour. These days I play with lots of different stocks.

- Biggest horror story, a medium sized horror story or just a sucky story related to

photography.

Way back a wedding ceremony started without me- I still feel sick thinking about it. Then on the location shoot the groom dropped his glasses in the river and couldn’t see…

- Who/what lights your fire? Songs, artist, movie, subject, feelings….

Music (all shapes and forms), music videos, ee cummings, Klimt, the sixties/seventies, colour, Olafur Eliason, the ocean, bubbles, Great Expectations movie, kaleidoscopes, wind, reflections, clouds…

- When is the last time you have had personal prints done?

I’m getting better?! I had one done maybe 4 months ago?!

- How often do you shoot for fun? Have you noticed a theme/consistency in what you

shoot for enjoyment?

Not often enough. When I do I shoot a lot of abstract, graphic stuff- shape, lines, colour, shadows.

- How do you handle friends/family requests for your services?

I always give discount, cos I’m a sucker:)

- If you could only make two ps adjustments/actions. What would they be?

ADD GREEN. And maybe levels.

- What is your favorite type of paid session/assignment?

One where I get to do whatever I want!

- Was there someone from childhood, whom you credit for instilling your love of

photography or someone who believed in your ability to do this as a profession?

My grandparents gave me my first camera which got me started making pictures. I think I was born with tendencies to record life (or it could be because we moved so much), so once I got a camera it was a perfect tool for that.

- Are there any educational experiences/workshops that stand out as having helped you grow?

Life (As An Artform)

- Are there any particular things you like to have when you sit down to edit?

No, I change all the time. But Chili Peppers “Live at Slane Castle” or Ministry of Sound Annual 2007 dvds always work:)

- Have you gotten more or less comfortable having your own photo taken?

Probably less.

- Would you rather shoot:

* Burt Renolyd’s mustache or Chuck Norris’s?

Burt, baby

* A macro shot of your toes or a full body shot wearing a half shirt and spandex?

Toes (I always take pics of my feet)

*The cover of Vanity Fair, Rolling Stone or National Geographic?

Argh too hard! Maybe Vanity Fair, so I could do something really different for them.

* A UFO or Sasquatch?

UFO. I think.

-You’re wearing a t-shirt with one word that sums up your journey thus far. What does it say?

Crazy?!

Pin It


comments hide 3

Anda Marie Q&A

“All at once

Rushing from the sub-pump

(so the story goes)

Balance we won’t know

We will see when it gets warm”

Lump Sum, Bon Iver

This is Amanda….

  • Tell me about the moment/realization that photography was a profession you wanted to explore.

Well I grew up constantly creating – I remember spending hours on end in my bedroom making books, paper, images, worlds. So art and writing were all I knew, more or less. When I was homeschooled I continued this endless dreaming and creating. Went back to public school and graduated valedictorian of my class. I planned to enroll in college as an art major but was pushed in another direction by many who thought I had too much ‘promise’ to be ‘just an art major.’ It was crap, but I listened, out of fear, and one day I found myself in my mid-20s and dead inside. I was a fulltime librarian for the university (ended up getting my Masters in Library Science) … and I hadn’t done art in years. The only thing I never stopped doing was photography. I posted mainly photos of the food I ate on Flickr. A coworker at the library loved my food photos and asked me to shoot her wedding. I was honored but NEVER wanted to be a wedding photographer (I hated weddings and tradition and posing!).  While researching how to “pose” couples (hilarious to me now!), I ran across Jasmine Star’s blog and stayed up until 4am reading every single last post. Because of Jasmine and her story, I knew I wanted to leave my career as a librarian and get back to what made me feel alive. I knew that night that I would be a photographer and that I would do it for a living.

  • What camera did you learn with?

Polaroids, lots of film point and shoots, Canon Aelph 3 megapixel P&S (first digital), my dad’s old 70s Pentax ME, and the Canon Rebel was my first DSLR.

  • What did you do/plan to do before deciding on photography?

Answered that above in my novella post, haha! I loved being a librarian and held a coveted position at the best library you can imagine. I loved my coworkers but I always knew that art/photography was my “dream job.”  It’s amazing to know that I’m living my dream job now. That I stopped finally going through the motions of life. When people ask what I really want … what is my dream job … I no longer respond with something different than what I’m doing right now. Feels amazing.

  • Is there a post processing trend that you thought looked phenom, but now makes you cringe?  Feel free to share a gem from that.

Oh boy – definitely the vintage yellow skies and cross-processing. I thought knowing how to do those things meant you were a legit photographer. How wrong I was.

  • A session or series you’ve felt most proud of?  You’re welcome to share those.

My trip to Portland: http://www.andamarie.net/2011/07/07/a-new-favorite-place/

My current day to day posts: http://www.andamarie.net/2012/02/08/day-to-day/

My instagram posts, which are mostly of food. Food lights me up inside. I feel very alive when shooting food.

  • If there were no limitations, what would you pursue photographically?  What do you dream of shooting before you die?

I would do travel photography, as cliché as that is. I would want to shoot it in my own style, more raw … and not according to anyone else’s vision. I was shooting food and editorial stuff for a while, but I realized that I wasn’t good at working for other people (art directors, photo editors etc) who wouldn’t just let me run with the entire concept. So that said, I would love to shoot for more indie culture/travel/food magazines or art books … where I could run the whole show regarding the imagery and story both.

  • 10 years from now- where would you like to be?  Doing what?

Wow.   Photography, for sure. It’s all I know now. I know for sure that photography is the greatest gift I can give the world. It’s what I’m best at. I’ve never really told anyone this, but I also dream of being a curator or working for art galleries/museums in some form. It would really bring together my interests in art and library/museum studies and archiving all together.  I’d like to be traveling all over still … and possibly, I’d be a mother too.

  • Your favorite lens/camera combo.

Canon 5D mkii + 35mm 1.4L. No contest.

  • Camera/lens combo you’d like to have or play with.

I’ll use whatever is around, honestly. Not a gearhead at all.

  • Any preferences between film/digital?  Favorite film stocks?

I like both digital and film.  I learned on film and I still really think like a film shooter.  I take a lot of time framing and composing everything I shoot. I don’t just click around without thinking when I’m shooting digital.

  • Biggest horror story, a medium sized horror story or just a sucky story related to photography.

Gosh, nothing really good to share (yet)! I once did shoot 10 minutes of a couples session before realizing I didn’t have a memory card in the camera!

  • Who/what lights your fire?  Songs, artist, movie, subject, feelings….

Bands: Damien Jurado, Radiohead, The Magnetic Fields, Bob Dylan, Frightened Rabbit, Bon Iver, live music in general. I see a lot of shows.

Songs: Honestly, this would get out of hand. I’m very touched by music. Right now I cannot get enough of the song “Start At the Beginning” by Among Savages. And “Blood Bank” by Bon Iver is my favorite B.I. song, off his EP. The XX has this great song, “VCR.”  I really cannot wrap my mind around this question right now. I’m not even going to open up my iTunes to check – I’d get lost in that forever.

Movies: Amelie and Midnight in Paris.

Books: Haruki Murakami

Other: Beauty, Subtlety, Romance (not romance) with a capital R, wind and water, still winter nights in a city, the Pacific.

  • When is the last time you have had personal prints done?

This week!  I have never abandoned personal shooting or prints in favor of only doing client work. Thankful for that.

  • How often do you shoot for fun?  Have you noticed a theme/consistency in what you shoot for enjoyment?

Daily. I shoot food, mainly. But also people. I just started this new project where I’m trying to shoot the stuff I normally wouldn’t shoot … or the stuff I never saw before. Light, reflections, stacks of mail on the kitchen table, details in a textile, surfaces. It’s teaching me a lot so far. I can’t wait to see how it affects my client work too.

  • How do you handle friends/family requests for your services?

I’ll just say it’s not black and white … its complex and layered and different for everyone. Just as all my friendships are layered and different. As a general rule, I prefer to attend weddings of close friends and family as a guest (and not as a photographer).

  • If you could only make two ps adjustments/actions. what would they be?

Gradient Map for all BW conversions. I don’t do anything else in PS anymore 

  • What is your favorite type of paid session/assignment?

Shooting couples – no contest. Engagements or married couples.

  • Was there someone from childhood, whom you credit for instilling your love of photography or someone who believed in your ability to do this as a profession?

I feel it was very internally driven. My elementary school art teacher, however, always believed I would be an artist. He signed my autograph book (I was so cool!) “To A Talent.”  And when my littlest brother had him as a teacher years later, he asked about me and what I was doing (I was in college). I couldn’t believe he remembered me!!

  • Are there any educational experiences/workshops that stand out as having helped you grow?

For sure. Jasmine Star’s Workshop Jesh’s Life {As an Artform}, and a mentorship with Sarah and Chris Rhoads were really the most influential for me.

  • Are there any particular things you like to have when you sit down to edit?

Coffee, iTunes on shuffle or on Bob Dylan, my space heater (I’m always cold).

  • Have you gotten more or less comfortable having your own photo taken?

More comfortable for sure.

  • Would you rather shoot:
  • Burt Renolyd’s mustache or Chuck Norris’s?

I honestly cannot picture either of these and would have to look them up.  I’m terrible with actor recognition and remembering celebrity names.

  • A macro shot of your toes or a full body shot wearing a half shirt and spandex?

Hand over that spandex.

*The cover of Vanity Fair, Rolling Stone or National Geographic?

Vanity Fair

* A UFO or Sasquatch?  UFO

-You’re wearing a t-shirt with one word that sums up your journey thus far.  What does it

say?   ALIVE.

Pin It


Kelly Trow Q&A

We encounter so many people in the course of our lives.  They drift in and out and sometimes back in again.  There are varying degrees of connection with each soul we are blessed to call ‘friend’.  One of the most beautiful experiences a friendship can bring is when you ‘see’ each other.  There’s a deep knowing that you are loved and seen and heard.  You know that you can be lovely and ugly, and they accept both as being part of you.  And they love you either way.  They feel like home.

This is Kelly Trow.  She lives in the Goldfields-Esperance region of Western Australia, with her 3 boys and her husband.  She is an amazing photographer and has a soul that will take your breath.  She’s an angel.  oxox, AmyQ

  • Tell me about the moment/realization that photography was a profession you wanted to explore.

I had been playing with a camera since I was a kid, and I had never ever thought of photography as a profession, let alone one that I could pursue.  But one day about 5 years ago I all of a sudden had a thought to ask a friend at the time if I could photograph her new baby.  I hadn’t been looking at newborn photography beforehand, it was just like this little niggling thought that came to me, then grew louder while I wrestled with it.  What if she said no?  What if she said yes?  What if the photos were crap?  I think I tried to tell myself not to bother asking but the desire was just so overwhelming that I did it.  I asked her, she said yes, and I photographed her new baby.  I’m not ashamed to say that I had NO idea what I was doing, and we thought the photos were great at the time but I’m sure they weren’t.  But, I still remember the feeling that occurred the moment that I overcame my fear and asked to take those photos.  I had this feeling that I had just conquered something and if I had the courage to continue along this path then life was going to be interesting.  And it absolutely has, my life is so so much richer because of it.

  • What camera did you learn with?

Well, I confess that although I had film cameras when I was younger, they were nothing special and I never learnt anything technical on them.  I actually remember having to make a pinhole camera in primary school but mine never worked!  So it wasn’t until I bought my first digital slr a canon 400D that I learnt the technical aspects of photography.

  • What did you do/plan to do before deciding on photography?

When I was a teen I planned to work in childcare.  Then I did work experience for a week in a classroom and I vowed never to do that again.  So when I finished school I worked in an office whilst studying accounting.  I never finished my accounting course though, as I moved from the city into the country and got a job in an office and worked my way up with the BP distributor.  Over the years I became an all-rounder in the office and second in charge, but I became so so bored.  Looking back, I now know why.  I had no challenges anymore, my creativity was null and void!

  • Is there a post processing trend that you thought looked phenom, but now makes you cringe?  Feel free to share a gem from that.

Oh probably!!  I admit to never liking selective colouring, but I was possibly a bit of a fan of the white vignetting!  i think I was a fan of oversaturation at one point, you know, super bright pinks and yellows.  I promise to never go there again.

  • A session or series you’ve felt most proud of?  You’re welcome to share those.

One session in particular that stands out for me was one I did for my friends a couple of years back.  One of my good friends had just passed away and left 2 daughters aged 8 and 10 at the time.  They came and stayed with me about 3 months after she passed, and on one day I took them out for a little session of the two of them together, as a gift to their father and to look back on themselves during such a hard time.  They got to let loose and be themselves and have some fun without any stresses, as well as work on their sister bond which was now so crucial – in my eyes.  I got some gorgeous images of the two of them.

  • If there were no limitations, what would you pursue photographically?  What do you dream of shooting before you die?

Oh lordy, how far will my imagination stretch?  You know, when I started out I didn’t think I would want to shoot landscapes as they were so boring to me.  People were much more interesting!  I think you call that ignorance.  I would absolutely love to travel far and wide and just shoot whatever my heart sees, whether it’s people or buildings or trees or a tiny lone ant in the middle of a big plain desert.  So at the moment, if I had no family to ground me, then I would love to be travelling from country to country, just documenting life of all kinds.

  • 10 years from now- where would you like to be?  Doing what?

You know, I often wonder whether I’ll still be using a camera to earn a living in 10 years time.  In a perfect world, I think I would be happy to only be doing it half the time.  The other half, I want to be making a difference in some other creative way.  Whether that is writing, or making goats cheese from my goat (that I milk every morning) in our very extremely large, grassy backyard, where we also have chickens to lay eggs and a big veggie patch.  By the way, none of that is true at the moment, but I’m hoping another 10 years will see it to be true!

  • Your favorite lens/camera combo.

Well. At the moment I live with my canon 5d mkii and my 50mm 1.2.  However I have my eye on the new canon 1dx out very soon.  I have also started a new relationship with film, and the love of my life in that department is my Contax 645 with the 80mm f2.  It’s extremely fun.  I’m still exploring film though and have a lot to learn.  I use it for my personal work at the moment but maybe with some more confidence I can start incorporating it into client work.

  • Camera/lens combo you’d like to have or play with.

I’m actually quite happy with what I have at the moment.  More exploration with film is on the cards and I’ve also recently acquired a Mamiya rz67 pro ii.

  • Who/what lights your fire?  Songs, artist, movie, subject, feelings….

Wow.  I love questions like these because just making you think of these things makes you light up.  I love artists who pour their everything into their craft, and know that being different is what is going to set them apart from mediocre.  I love watching someone perform with their heart and soul, whether it’s someone as big as Michael Jackson – of whom I was lucky enough to see in concert some 15 or so years ago! – or a street performer.  We don’t have any street performers where I live but I do recall being in Santa Monica a year ago and seeing one of their street performers in the main shopping area one night.  Not only did she have an awesome singing talent but I also saw a little scene fold out in front of me that sticks in my mind.  There was a homeless man sitting on a bench and he was listening to her too, his body moving with the music.  Then another guy came and sat on the other end of the bench to listen too.  Soon after another guy carrying a box of pizza walked over and sat on the bench between them and offered the pizza to them both.  I watched them chatting for a minute before the music seemed to take over them all and all three of them were dancing and clapping to the music, until it finished which by then they were laughing and having a great time.

I was so mesmerized by this scene the entire time.  Three unlikely strangers brought together by one person’s musical passion, even if just for a short time.  I don’t know whether that little exchange made an impact on their life at all, but it certainly made an impact on mine.  That’s the sort of thing that light’s my fire…being aware of the little miracles around me.

  • When is the last time you have had personal prints done?

Well, we did have a family portrait session 2 years ago, and I do have those prints in a beautiful album and I have 4 extremely large canvases on our entrance walls…but that was 2 years ago and I haven’t printed anything since.  Shame on me.  I do however, plan to put my current January Photo A Day photos into an album.  This is a little personal project I do every year (along with a  bunch of colleagues) to document my children every day for a month.  I also plan to do an inspiration wall in my office starting with my instagram photos.  I need to stop planning and start doing!

  • How often do you shoot for fun?  Have you noticed a theme/consistency in what you shoot for enjoyment?

I try and make a point of doing a shoot just for me every few months.  But I never plan it and it just happens to be whatever I feel like shooting at the time.  Last year I had 2 high school students come to me for work experience at different times throughout the year.  With both of these I spent a day doing a shoot just for them.  As all of my clients are either babies or young children, having teens to play with was so much fun!  I have also spent time either walking through the back streets of my town, or walking through a bush just taking photos of whatever catches my eye.  Shooting without pressure is a great way to keep the creativity flowing and it’s so nice to be able to have my own agenda.  Or have no agenda.  That’s even better.

  • How do you handle friends/family requests for your services?

I find it hard saying no.  or at least, saying no politely.   I actually don’t get friends asking for freebies.  Maybe I just have awesome friends.

  • If you could only make two ps adjustments/actions. what would they be?
  1. remove snot.  2.  Remove flies.

If you want a serious answer, lol, if I could only make 2 adjustments it would be contrast and burn.

  • What is your favorite type of paid session/assignment?

Newborns.  And just newborns, adding toddler siblings is hard!  Newborns are definitely my favourite.  At the moment.  I do like to change it up every now and then

  • Was there someone from childhood, whom you credit for instilling your love of photography or someone who believed in your ability to do this as a profession?

my parents for buying me my camera when I was a kid, and paying for film.  And my sister for being my muse when we were children.  And a handful of my sister’s friends, who stood in her place when she’d had enough of me nagging her to pose some more.

  • Are there any educational experiences/workshops that stand out as having helped you grow?

Need you ask?  Jesh’s workshops have hands down been the ones for me that have helped me grow immensely.  The growth has been hugely prominent in my life in general, in my relationships, in my photography, and in my business.

  • Are there any particular things you like to have when you sit down to edit?

Water and silence.

  • Have you gotten more or less comfortable having your own photo taken?

No less comfortable.  I hate it.  I want to be comfortable with it though.  I think it’s my issue with body image.  I’m working on it.  I’ve paid a deposit to have some portraits taken with a beautiful photographer in Perth, so it’s on the list of things to conquer.

  • Would you rather shoot:

  • Burt Renolyd’s mustache or Chuck Norris’s?

Chuck Norris.  You couldn’t get me remotely close to Burt Reynolds.

  • A macro shot of your toes or a full body shot wearing a half shirt and spandex?

I would have to choose toes.  Not that I have a toe fetish. Because I don’t.  but I like them more than half shirts & spandex!

  • A UFO or Sasquatch?

I don’t know what a Sasquatch is.  Let me google.  Oh Bigfoot, ok I get it.  Um..i don’t know, how about I aim to capture a Sasquatch being beamed up into a UFO?

-You’re wearing a t-shirt with one word that sums up your journey thus far.  What does it

say?

Revelational.

Pin It


Abram Goglanian

Instagram is a wonderful place to meet people who geek out on photography.  I geek out on photography- cameras, light, zone metering, lenses, etc.  Abram has answered so many questions of mine over the last year about cameras.  I value his opinion and his friendship.  He’s an awesome guy.  xoxo, AmyQ

  • Tell me about the moment/realization that photography was a profession you wanted to explore.

For me, that moment was my sophmore year of high school. I had a teacher that really opened my eyes to the world of Professional Photography. I also was quite fond of National Geographic and I admired the photographers and the stories they were able to tell with their images. I wanted to be one of them.

  • What camera did you learn with?

I first learned to shoot with my Dad’s Pentax MX with 28 & 50mm lenses. All one needs really.


  • What did you do/plan to do before deciding on photography?

Well, to be completely honest, once I had it in my mind in high school that I wanted to pursue Professional Photography I never set out to do anything else. I’ve worked as a Barista a couple times and I spent a few years working for Apple as a Creative as well. It was there that I found a love for teaching.


  • Is there a post processing trend that you thought looked phenom, but now makes you cringe?  Feel free to share a gem from that.

HDR. HDR. HDR. Need I say more? I’m worried that the “fake tilt-shift” effect is going to become exceptionally over-done in the near future as well.

  • If there were no limitations, what would you pursue photographically?  What do you dream of shooting before you die?

Travel & Documentary Photography would be my answer. Without hesitation!

  • 10 years from now- where would you like to be?  Doing what?

I would like to have visited all of the continents and experienced the amazing cultures beyond the bubble of America. All of this with a camera in hand of course!


  • Your favorite lens/camera combo.

From what I have right now? Definitely the 5DmkII + 35mm f/1.4L, a perfect pairing. From everything I’ve ever owned? Mamiya RZ67 + 90mm f/3.5W.


  • Camera/lens combo you’d like to have or play with.

I’m certain this is a cliché answer, but I do honestly dream about owning a Leica M body with a Summicron set (28/35/50).


  • Any preferences between film/digital?  Favorite film stocks?

Having started with 35mm film, it will always hold a special place in my heart, I am so grateful to have learned the core concepts of photography on film before the digital age fully took over. I do absolutely see and appreciate the utter convenience of digital photography, but in my honest opinion, I truly feel that digital cameras have made us all lazy. Where’s the story and emotion in everyone’s images these days? (Even I struggle with this)

I am fortunate to have had lots of experience with many film formats, from 35mm up to 4×5. Personal favorite would easily be the 6×7 format in 120, but I’m only shooting 35mm film these days mostly for fun.

It’s hard to play favorites with film stocks these days, so many legendary names are just simply gone, never to return. From what one can purchase easily today I would say Kodak Portra 400 for C-41 and Fuji Neopan 400 or 100 Acros for Black & White.

  • Biggest horror story, a medium sized horror story or just a sucky story related to photography.

I am thankful to have not had TOO many issues in my journey thus-far, but there is one event that stands out.

I was doing a shoot down at the beach with one of my medium format cameras, I had the model in the water, and I was in the water as well. The tide was very low and the waves were practically nothing more than ripples in the water so I felt that I was not in any immediate danger by shooting so close to the water’s surface. Suffice it to say, I misjudged the power of the ocean and I got hit by a rogue wave which completely soaked me and my camera.

I was incredibly upset, but fotunately I was using a completely modular camera so I was able to quickly take everything off and dunk each piece in fresh water to rinse off the salt. (I didn’t dunk the film back though)  After drying everything off I processed the film, and miraculously it wasn’t ruined! Even the camera survived!

So, I suppose that could have had a much more terrible outcome, but thankfully it didn’t.

  • When is the last time you have had personal prints done?

Now that I think about it, it was around this time last year…. Clearly I need to print more!

  • How often do you shoot for fun?  Have you noticed a theme/consistency in what you shoot for enjoyment?

I try to shoot for my own enjoyment as much as I possibly can, creatively speaking, it helps me get out of a slump when one comes along.

  • How do you handle friends/family requests for your services?

With an order form;)  –   I get asked to do favors a lot, but I just explain the truth of the matter, that this is a business for me, and in most cases they understand and are willing to contribute.


  • If you could only make two ps adjustments/actions. what would they be?

I used to go pretty overboard with my Photoshop editing, These days I try to keep it pretty minimal. If I had to choose I would select a curves adjustment layer, and the retouching brush.

  • What is your favorite type of paid session/assignment?

Any type of paid assignment is my favorite;)


  • Was there someone from childhood, whom you credit for instilling your love of photography or someone who believed in your ability to do this as a profession?

My high-school Photography teacher, Mr. Erikson. He believed in me and inspired me to pursue a career in Photography. He also got me on the path to attend the Brooks Institute right after High School.


  • Are there any educational experiences/workshops that stand out as having helped you grow?

I took a lot of valuable information away from my experience at Brooks, but everything else has been due to my own research and experimentation with various techniques and equipment. I love to research things, and when I find an interesting shooting style or lighting technique, I learn everything I can about it and adapt it into my personal workflow.


  • Are there any particular things you like to have when you sit down to edit?

Good music, proper ambient lighting, water (I get so thirsty when I edit!) & of course my trusty Wacom tablet.


  • Have you gotten more or less comfortable having your own photo taken?

I am inclined to say more, but it is not due to being a photographer, as someone that was always a self-concious person, I used to “hide” behind my camera. Eventually I moved past that phase and got over it;)


Would you rather shoot:

* Burt Renolyd’s mustache or Chuck Norris’s?

Chuck Norris’, on the condition that he wouldn’t roundhouse kick me in the face afterwards.


* A macro shot of your toes or a full body shot wearing a half shirt and spandex?

I always wanted to see what my toes look like under a microscope. I also would really rather not ever have to wear spandex. Ever.


*The cover of Vanity Fair, Rolling Stone or National Geographic?

National Geographic, without question. NG was/is my inspiration to pursue photography and learn more about the craft.


* A UFO or Sasquatch?

Am I allowed to say both? If not, Sasquatch, with a wide angle lens.


-You’re wearing a t-shirt with one word that sums up your journey thus far.  What does it

say?

Smile.


Pin It


T w e e t s